Professor Tim Armstrong, English
Modernism, American literature, literature and technology, the body (including such areas as sexology, bodily reform, cinema, and sound); and the poetry of Thomas Hardy.
Professor Jacky Bratton, Drama and Theatre
Research ranges widely across the history of theatre and culture in Britain in the eighteenth and nineteenth centuries,
Professor Greg Claeys, History
Social and political reform movements from the 1790s to the early 20th century, with a special focus upon utopianism and early socialism.
Professor Felix Driver, Geography
The history of geography, empire and visual cultures of exploration and travel.
Dr Sophie Gilmartin, English
Nineteenth-century literature, visual arts, and maritime studies, including special interests in: women and navigation; the C19th Arctic; Thomas Hardy; Elizabeth Gaskell; the Brôntes; Victorian narrative painting and the Victorian short story.
Dr Vicky Greenaway, English
The interconnections of literature and the visual arts in the nineteenth century generally, with an additional interest in the relationship of poetry and painting in Pre-Raphaelite and Aesthetic poetry.
Professor Robert Hampson, English
Modernism, notably on works on Joseph Conrad and Ford Madox Ford. In addition, he has had a long-term involvement with contemporary innovative poetry as editor, critic and practitioner.
Professor Juliet John, English
Hildred Carlisle Chair. The relationship between Dickens's work and the popular cultural contexts of the Victorian and post-Victorian periods; also areas such as melodrama, nineteenth-century theatre, the popular Victorian novel, journalism, film, adaptation, heritage, neo-Victorianism, thing theory, and affect studies.
Dr Nicola Kirkby, English
Leverhulme Early Career Fellow. Infrastructure and nineteenth-century literature.
Dr David Lambert, Geography
Cultural, historical and political geography, and postcolonial theory, bringing a conceptual concern with space, power and identity into engagement with other fields to promote interdisciplinary dialogue.
Professor Ruth Livesey, English
Professor Livesey’s research interests and publications range from studies in mobility and transport, to social exploration in London, to the forms of provincial fiction and sexual politics in the nineteenth century. In 2019-20 she was an Arts and Humanities Leadership Fellow, working with partner organisations, a writer in residence and a postdoctoral research fellow, Dr Helen O’Neill on the project Provincialism: Literature and the Cultural Politics of Middleness in Britain 1800-1900’ and in 2021-22 she is working on an AHRC-funded follow-on collaborative project ‘Finding Middlemarch in Coventry, 2021’ exploring the lives of George Eliot’s novel during Coventry’s year as City of Culture.
Dr Katie McGettigan, English
Nineteenth-century American and transatlantic literature, authorship and print culture, including periodical studies, anti-slavery print, women’s writing and Herman Melville. Digital approached to nineteenth-century studies.
Dr Giuliana Pieri, Modern Languages
Reader in Italian and The Visual Arts, recently published The Influence of Pre-Raphaelitism on fin-de-siecle Italy: Art, Beauty and Culture and undertook a research project on Anglo-Italian Artistic Relations in Victorian Britain
Professor Adam Roberts, English
Teaching divides itself between literature and creative writing; a novelist himself, he has published widely on nineteenth century literature, culture and society with a focus on Victorian poetry
Dr Hannah Thompson, Modern Languages
Nineteenth-century French prose fiction with a particular interest in issues of gender, sexuality and identity construction. Currently involved in a number of projects around Disability Studies and French Culture.
Professor Anne Varty, English
Wide ranging interests in the development of Aestheticism, both in Britain and Europe; strong interests in nineteenth-century theatre, as well as work on aspects of contemporary literature and theatre. Her current nineteenth-century research focuses on fairy tales on the Victorian stage, and opium in British culture since 1800.