Alison Knight joined Royal Holloway in 2020 as lecturer in interdisciplinary Early Modern Studies, a role which bridges the English and history departments. Her first monograph, The Dark Bible: Cultures of Interpretation in Early Modern England (forthcoming, OUP) explores approaches to biblical obscurity in sixteenth- and seventeenth-century England, and is particularly interested in the intersecting nature of writing, interpretation, and religion. She has published articles in Studies in Philology and The John Donne Journal, and received the John Donne Society's 2018 Distinguished Publication Award. She has published chapters in The Oxford Handbook of the Early Modern Bible and The Oxford Encyclopaedia of the Bible and the Arts and has contributed chapters to the collections Scholarship and the Making of the King James Version of the Bible (Brill, 2018), The Bible in Western Literature (forthcoming, Bloomsbury), and Using Early Modern Scholarship in Nineteenth-century Britain (forthcoming, CUP). Her current research project stems from her Leverhulme Early Career Fellowship held at the University of Cambridge, titled ‘The Stranger Churches: Hate Speech and Religious Refugees in Early Modern England.’ This project links literary, historical, religious, and geopolitical approaches in order to investigate England’s charged public discourse surrounding continental Protestants fleeing persecution in the sixteenth century. Prior to this project, she also held a European Research Council Fellowship as a member of the collaborative, interdisciplinary project ‘The Bible and Classical Antiquity in Nineteenth Century Culture’ at Cambridge.
Harry Newman joined Royal Holloway in 2015 as Lecturer in Shakespeare and Early Modern Literature. His first monograph, Impressive Shakespeare: Identity, Authority and the Imprint in Shakespearean Drama (Routledge, 2019), investigates the centrality of the language and technology of impression (sealing, coining, medal-making, printing) to questions of character, poetics, genre and authorship, and to Shakespeare's historical construction as an "impressive" dramatist. He has published articles in the journals Shakespeare, Shakespeare Bulletin, Renaissance Drama and Lives and Letters, chapters in the collections The Book Trade in Early Modern England (British Library & Oak Knoll Press, 2014) and Medical Paratexts from Medieval to Modern (Palgrave Macmillan, 2018; paperback 2019), and a co-edited special issue (with Sarah Dustagheer) on "Metatheatre and Early Modern Drama" (Shakespeare Bulletin 36.1, 2018). He recently completed a Fellowship at the Folger Shakespeare Library (in Washington DC), where he started his new book-project, The Birth of Character. The book traces the rise of character and a literary and cultural concept, focusing on experiments with virtual humanity across genres by a wide range of authors, stationers and readers between the mid-sixteenth and mid-seventeenth centuries.
Dr Rankin's first book, Between Spenser and Swift: English Writing in Seventeenth-century Ireland (Cambridge UP, 2005) explored the transition from soldier to settler across the turbulent seventeenth century and was awarded the American Conference for Irish Studies prize for Best Book on Literature. Her edition of Henry Burnell’s Landgartha [1641] (Four Courts, 2014), an allegorical play about Scandinavian Amazons staged in Dublin is credited with issuing a strong challenge to received ideas of the English canon (TLS, 2016). Her current book project, ‘Cities of Ladies: Staging Amazons from Late Antiquity to the present day’, focuses on moments where Amazon plays emerge against a background of political crisis, from the ‘lost’ Amazon plays and ‘Female Worthies’ of the late C16th, through C18 movements for women’s rights and education, to the emergence of the complex Amazons of fourth-wave feminism, from Kill Bill to Wonder Woman.
Dr Rankin previously worked in arts management and remains committed to collaborations which bring academics and artists together. She was academic mentor for Indian Shakespeares on Screen (April 2016) a conference-festival which brought Bollywood director Vishal Bhardwaj and his ‘Shakespeare trilogy’ to the BFI. She is Shakespeare consultant to ‘Storming Utopia: A tempestuous experiment in practical Utopianism’, 2014-, a performance collaboration between the University of Oxford TORCH Knowledge Exchange Project, Pegasus Theatre and the Fondazione Cini, Venice which works with Thomas More’s Utopia (1516) and Shakespeare’s The Tempest (1616) to explore what kind of confederations, political and aesthetic, are possible, or worth dreaming our way towards, in our islands’ future. She is working with University College Dublin and the Smock Alley Theatre, on a project to stage Landgartha at RSA Dublin 2021, one hundred years on from the Irish War of Independence. This will be the first production since St Patrick’s Day 1640.
Dr Rankin currently holds a Visiting Fellowship at the Arts and Humanities Institute, University of Maynooth University in association with the MACMORRIS project. This digitial humanities project, led by Professor Patricia Palmer and funded by the Irish Research Council, will create the first annotated and interactive digital map of all cultural players—from poets, patrons, and pamphleteers, to translators, travel-writers, and administrators—who were active in Early Modern Ireland. She also holds a Maddock Research Fellowship in Marsh’s Library, Dublin.
Emeritus Professor of English Literature at Royal Holloway, University of London, Emeritus Fellow of Murray Edwards College, University of Cambridge, and Honorary Senior Research Fellow of the Shakespeare Institute, Stratford-upon-Avon. His publications include Shakespeare (3rd edition, 2002), Shakespeare’s Comedies (2009), Shakespeare’s Universality: Here’s Fine Revolution (2015) and the Introduction to the Penguin Classics edition of King Lear (2015). His next book, Shakespearean Tragedy, will be published by Bloomsbury in 2021.
