Course options
Key information
Duration: 4 years full time
UCAS code: Q81F
Institution code: R72
Campus: Egham
The course
BA Classical Studies (with Integrated Foundation Year)
This course is available to Home (UK) students and International students who meet the English Language requirements.
Our Integrated Foundation Year for Arts and Humanities is a thorough, skills-building course that will give you everything you need to start your study of BA Classical Studies with confidence.
Arts and Humanities subjects, like Classical Studies, provide key ways of understanding our complex world, its histories, and current debates facing contemporary society. Identity, political and social conflict, our interaction with new digital and genetic technologies, our stewardship of the environment are all issues where the voice of creative and critical thinking are key. Literary texts, films, plays and digital games offer important ways in which societies have debated - and continue to represent - their values and their futures.
Our Foundation Year sets you up so you’re ready to explore those debates and issues, providing you with opportunities to gain knowledge and understanding of how to approach studying the humanities, including your chosen degree subject. Learning from friendly, expert tutors, you’ll explore modules designed to give you a solid start to your study of arts and humanities subjects, helping you to grow critical skills to explore a range of literary, visual, and cultural forms, including plays, films, and digital media.
Once you have completed your Foundation year, you will normally progress onto the full degree course, BA Classical Studies. There may also be flexibility to move onto a degree in another department (see end of section, below).
If you are captivated by classical literature and philosophy and are keen to understand more about ancient history and classical archaeology, Classical Studies is an ideal degree course for you.
Classical Studies is a flexible degree that offers a great deal of choice in subjects related to the ancient world. It’s ideal for those who want to gain a deep understanding of lots of aspects of ancient Greece and Rome – its literature, history, philosophy and archaeology – even its languages; Greek and Latin can be studied at whatever level you’re at and for one, two or three years.
There is also the possibility of spending a year abroad, experiencing how classical society has had a lasting impact on history, culture and politics.
As a student of Classical Studies you will be part of our Classics department, where the quality of research that informs our teaching and a friendly, individual approach which shapes the way we guide our students combine to create an unbeaten academic experience.
On successful completion of your Foundation Year, you may be able to choose an alternative pathway which could include a Single Honours, joint or minor degree within Classics, or degrees within the Humanities (History, Drama, Media Arts, English (except pathways with Creative Writing), Philosophy, Comparative Literature and Culture, Liberal Arts). If you'd like to do this, you may take your Foundation Year Department Based Project in one of the other departments in Humanities.
This course is available to Home (UK) students and students from the EU who meet the English Language requirements.
From time to time, we make changes to our courses to improve the student and learning experience. If we make a significant change to your chosen course, we’ll let you know as soon as possible.
Course structure
Core Modules
Foundation Year
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This core Foundation module offers an inter-disciplinary introduction to a range of concepts of global significance highly relevant for students progressing onto humanities, arts and social science subjects. The lectures, seminars and readings will approach each concept from a variety of humanities, arts and social science perspectives and will involve students exploring different epistemological approaches, including but also beyond, those of their own degree subject.
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This module explores our understanding of the past, and our relationship to it. It considers the ways our sense of the past is constructed, maintained, and mediated by collective memory, tradition, and representation, before moving on to think about how we understand the past through evidence – the material traces that humans have left behind. It explores the distinction between ‘the past’ and ‘history’ and considers how both shape our present and influence our future.
Collective memory, tradition and representation produce a powerful sense of the past which can be significant in shaping people’s ideas about the present. This understanding is often at odds with the approach of historians, who seek to explore the past through evidence and draw conclusions about how people used to live from it. But this module is not just 'about' history: it is about how we know what we know and how this knowledge structures the world around us. We will explore both approaches to the past and consider the difficulties that arise when these ways of knowing produce different versions of that past.
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This module explores the ways in which experiences, identities and social issues are represented in British film. It considers the ways that filmmakers engage with contemporary society and the extent to which films respond to, or act as a catalyst for, social change.
Each week we will explore a different topic through the lens of a specific film. We will contextualise the representation offered and consider how it fits within the longer tradition of filmmaking on that subject.
Since the very earliest days of the cinema, films have captured the public imagination and this module will explore the broader role of film in society. We will consider the cultural significance of film as a form of leisure and as a method of communication and education. We will explore the nature of the relationship between filmmakers and the audience, consider questions of funding and censorship, and place film within the broader context of today’s media.
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In this module, students closely examine, compare and contextualise a range of texts that deal with the theme of learning. The core texts: Chimamanda Ngozi Adichie’s novel Purple Hibiscus (2003); Willy Russell’s play Educating Rita (1980); and Alan Parker’s film, Fame (1980), will be accompanied by a range of extracts from a broad variety of text types, from poetry to philosophy to legal documents. Each week, we will consider a key issue raised by the core text under discussion alongside extracts from other texts. Students will be encouraged to use the methods of Critical Discourse Analysis in their close reading, comparison and contextualisation of the texts.
The module aims to provide students with a flexible and adaptable framework that enables them to read, understand and interpret texts from any discourse area closely, analytically and critically. It will support their understanding of the ways in which different text types function and enable them to identify the way genres provide frameworks for audiences to comprehend discourse, assess the means by which apparently similar aspects of the world can be appreciated and understood from different perspectives or positions, and explore the ways in which discourse is used to constitute a sense of being and identity.
The module will also provide opportunities for students to reflect on their own experiences of and beliefs about learning, and to consider their own learning methods and processes as the Foundation Year progresses. This will support the transition to their degree courses, giving them agency in the process as they think carefully about how they learn, how they might learn more effectively, and how that is affected by cultural, social and economic forces.
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Year 1
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In this module you will develop an understanding of how different classical disciplines interrelate. You will focus on specific academic skills such as avoiding plagiarism, approaching and evaluating a range of ancient evidence, using library and other resources, critically evaluating modern scholarship and theoretical approaches, and relating academic study to employability.
Year 2
- All modules are optional
Year 3
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The Extended Essay is a unit of independent study under the supervision of a member of staff. Students are required to write a long essay of 8,000 to 10,000 words.
Optional Modules
Below is a taster of some of the exciting optional modules that students on the course could choose from during this academic year. Please be aware these do change over time, and optional modules may be withdrawn or new ones added.
Year 1
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In this module you will develop an understanding of Ancient Greek grammar and syntax and learn elementary vocabulary. You will acquire basic aptitude in reading Ancient Greek text (mostly adapted, with some possible original unadapted basic texts) and consider the relationship between Ancient Greek language and ancient Greek literature and culture.
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In this module you will further your understanding of Greek grammar and syntax. You will look at Greek prose and/or verse texts, in unadapted original Greek, and learn how to accurately translate passages at sight.
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This module can be taken by anyone with less than a B in GCSE Latin. If students have a B or better in Latin GCSE or equivalent, they should be looking at Intermediate Latin (unless it was a very long time ago). The module sets out to provide a basic training in the Latin language for those with little or no previous experience of Latin. The emphasis is on developing the skill of analysing the structure and meaning of Latin sentences, and on efficient use of the dictionary. Students will also gain familiarity with a range of literary and epigraphic texts in the original Latin.
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A module intended to build on Beginner’s Latin or O-level/GCSE, extending the students' knowledge of Latin to the point where they are ready to read substantial texts.
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In this module you will develop an understanding of the framework of Greek literary history from Homer to Heliodorus. You will look at the chronology of major authors and works, and how they fit into larger patterns in the development of Greek culture and political history. You will examine ancient literary texts in translation, considering issues in key genres including epic, lyric, drama, oratory, philosophical writing, historiography, Hellenistic poetry, and the Greek novel.
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In this module you will develop an understanding of the history of Roman literature in the early imperial period. You will look at the work of five authors selected from the Julio-Claudian period, considering the ways in which Roman literature responded to the new political conditions established by the Principate. You will develop your skills in interpretation, analysis and argument as applied both to detailed study of texts (in translation) and to more general issues.
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In this module you will develop an understanding of ancient philosophical ideas and the ways in which philosophical arguments are presented and analysed. You will look at the thought and significance of the principal ancient philosophers, from the Presocratics to Aristotle, and examine sample texts such as Plato's 'Laches' and the treatment of the virtue of courage in Aristotle, 'Nicomachean Ethics' 3.6-9.
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In this module you will develop an understanding of the Greek World in the Classical Period. You will look at the key events in Greek History from 580 to 323 BC and place these in their historical context. You will consider historical problems and critically examine information and accounts set out in the Greek sources as well as in the works of modern historians. You will analyse a range of sources materials, including inscription, historiography and oratory, and develop an awareness of potential bias in these.
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In this module you will develop an understanding of the development of Roman politics and society over the extended period of Roman history, from early Rome through to the emergence of the Medieval World. You will look at the chronology and development of Rome, examining key themes in the interpretation of particular periods of Roman history, including the rise and fall of the Republic and the Imperial Monarchy. You will consider the difficulties and methological issues in the interpretation of Roman Historiography and analyse a variety of theoretical approaches used by historians.
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This is a survey module covering a large and disparate field. No previous knowledge is assumed: it will offer a basic introduction to the principles of classical archaeology and to the archaeological material of ancient Greece. The module will help you to place archaeological objects and contexts alongside literature and philosophy and to gain a more rounded understanding of how the Greeks thought about their world and the physical environment they created for themselves. The main aim of the module is to familiarise you with the material culture of the Greek civilisation from the Bronze Age to the Hellenistic period. We will examine the principal forms of Greek art and architecture, together with their stylistic development and social context. We will also consider developments in political organisation and religious practice, as well as evidence for everyday life. The module will introduce basic methodological concepts and theoretical approaches to the study of ancient Greek material culture.
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This module studies the broad spectrum of archaeological evidence for the Roman world. It will provide an introduction to the main sources of archaeological evidence and key sites across the Roman world. It will offer a taste of how we can use the evidence they provide in the study of history, society and technology during the period c. 200 BC – c. AD 300. It aims to familiarize you with the principal forms and contexts in which art and architecture developed in the Roman world; to introduce you to the uses of material culture in studying history, i.e. to study the art and architecture of Rome as part of its history, social systems, culture, and economy; and to develop critical skills in visual analysis.
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Year 2
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The module aims to cover the full chronological range of Roman historiography from the Republic to the Empire, to educate the students in the broad sweep of Roman historiography and Roman history.
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This module will introduce you to the genre of Greek historiography, from Hecataeus of Miletus (who wrote in the early fifth century B.C.E.) to Diodoros of Sicily (who wrote in the first century B.C.E.). The module will provide you with an overview of the genre, its relationship with other literary genres (including the Homeric epics and drama), and with the narrative techniques adopted by the Greek historiographers. We shall discuss in what ways the philosophical and political agendas of individual authors shaped their representation of both the distant and the recent past, and their explanations of historical events and developments. We shall also explore the question what sources the historiographers themselves may have used as a basis for their reconstruction of the past, including oral tradition, poetry, eyewitness accounts and works of their fellow historiographers. The module aims to enhance your understanding of the methodological problems that modern Ancient Historians face when using works of historiography as evidence, to develop your skills in discussing these problems orally and in writing, and to approach and analyse the evidence critically and with good judgement.
The first half of the module will be thematically structured, covering the development of the genre and introducing you to a range of key methodological issues. The second half of the module will focus on six key authors and the historical contexts to which they were responding. -
The Roman Republic occupies a special place in the history of Western civilisation. From humble beginnings beside the river Tiber, the Romans expanded to dominate the classical world. Their armies defeated Carthage and the successors of Alexander the Great, and brought all the surrounding peoples under Roman rule. Yet the triumph of the Republic was also its tragedy. Political and socio-economic crisis plunged Rome into a descending spiral of civil war as rival warlords struggled for supremacy, until the Republican constitution collapsed and was replaced by the autocratic Roman empire. In this module, we explore the history of the Republic from the foundation of Rome to the murder of Julius Caesar on the Ides of March 44 BC. Students examine the social and political pressures that drove Rome to conquer her Mediterranean empire and the consequences of that expansion for the Romans and for the peoples they conquered. The major literary sources are discussed in translation, together with the evidence of archaeology and material culture which helps us to bring the ancient Romans to life.
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For almost half a millennium, the Roman empire ruled over the ancient Mediterranean world. This module surveys the golden years of imperial Rome, from the achievement of sole rule by the first emperor Augustus (31 BC - AD 14) to the murder of Commodus (the white-clad emperor from Gladiator) in AD 192. At its peak, Rome’s empire spanned from Hadrian’s Wall in Britain south to North Africa and east to Syria, enclosing the Mediterranean Sea within a single dominion. We analyse the political, social and cultural developments under the emperors of the first and second centuries AD, and reassess their achievements and legacies: Claudius’ invasion of Britain, Nero’s cultured tyranny, the terrible efficiency of Domitian, Trajan the conqueror, and the philosophical Marcus Aurelius. We likewise explore fundamental themes that shaped the wider empire, including imperial frontier policy and administration, the process of Romanisation, and the nature of Roman religion. The evidence of art and architecture is examined, particularly the monuments from Rome herself and the wealth of material preserved in the buried town of Pompeii, alongside the major literary sources all readily available in English translation.
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The Later Roman Empire module spans the four centuries that marked the end of classical antiquity and the rise of the early medieval world. The module opens with the transformation of the Roman empire under Diocletian (284-305) and Constantine (306-337), and with the conversion of Constantine, the first Christian emperor, in AD 312. Students explore the fundamental political, social and religious developments of the fourth century, which saw the emergence of a Christian Roman empire and the migration of the Goths and Huns towards the imperial frontier. We then compare the contrasting fortunes of the western and eastern regions of the empire in the fifth and sixth centuries. In the west imperial power collapsed under the waves of barbarian invasions, to be succeeded by the Germanic kingdoms of the Goths and Franks and by the rising prestige of the Roman papacy. Yet in the east the empire survived and reached a new peak during the attempted reconquest of the emperor Justinian (527-565), before triumphing in the last great conflict between the Roman and Persian empires with which this module concludes. These were centuries of dramatic change, accessible through an impressive combination of literary sources (read in translation) and material evidence, and the legacy of those changes exerted a profound influence on later history.
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By the middle of the seventh century, the very existence of the Byzantium (also known as the Byzantine Empire) was in question. It had lost almost half its territory to the Arabs and even its capital city of Constantinople was now under direct threat. Yet the state not only weathered this period of crisis but revived and flourished so that by 1050, it was once more a major power in the region, stretching from southern Italy to Armenia. This module traces the reasons why it survived, how it reversed the long series of defeats and the profound changes that took place in its military organisation, society, religious life, art and culture. It also examines how one key to its success was the way in which it interacted with the world around it, particularly with the Islamic caliphate, western Europe and the Slavonic world. Although the Byzantines frequently fought their neighbours, they preferred where possible to influence them through diplomacy and conversion. Then in the later eleventh century, new enemies appeared on the borders and Byzantium began to contract once more, a series of events that was to provide the background for the later launch of the First Crusade in 1095.
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In this module you will develop an understanding of the key theoretical and methodological concepts and practices within classical archaeology. You will look at excavation practices, dating techniques, material culture and environmental archaeology, and learn how to interpret different site types and present the past and landscape archaeology. You will gain practical experience in handling primary data and integrating appropriate theoretical models. You will consider the practice of archaeology in its changing theoretical, methodological and professional contexts, and examine how to communicate archaeological data to the wider public.
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An introduction to the ancient Greek language designed for second/third year students. The course offers an introduction to Ancient Greek for complete beginners. The course proceeds through a set textbook (currently Athenaze book I and, where appropriate, advancing selectively to book II), working chapter by chapter, at time, where appropriate and needed, supplemented by further ad hoc materials. The class will systematically survey aspects of grammar, including declension and conjugation, and syntax, will complete written and oral in class and home-prepared exercises, etc.
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Year 3
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This module provides you with the opportunity to engage in an-depth study of the material remains of Pompeii and Herculaneum (and the villas at Stabiae, Oplontis and Boscoreale) and assess their special value – but also their limitations – as primary sources for archaeologists and cultural historians. You will analuse general issues of preservation, excavation, chronology, and presentation of the sites to the public as well as a range of topics relating to the specific types of evidence for which the Vesuvian sites are renowned.
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This module covers the crucial transitional period in which Christianity came to dominate the Mediterranean world, from the accession of the first Christian Roman emperor Constantine in 306 to the death of Augustine of Hippo in 430. The fundamental political, social and religious changes that took root during these dramatic years, which also witnessed the early Germanic invasions into the Roman empire, are brought to life by a broad spectrum of translated literary texts and material culture. Students engage with a wide selection of influential writers: Eusebius of Caesarea (Constantine’s biographer), the last pagan emperor Julian ‘the Apostate’, the historian Ammianus Marcellinus, the orator and teacher Libanius, and the Church fathers Jerome (with his ascetic circle of female students) and Augustine (author of the Confessions and City of God). We also examine other forms of evidence: the laws of the Theodosian Code, the inscriptions left by the Roman senatorial aristocracy, and an array of surviving examples of Late Roman art and architecture. The scope and diversity of these sources reflect the transformations of the period itself and offer dissertation opportunities for students with interests ranging from religious and political history to gender studies or the Roman empire’s ‘Decline and Fall’.
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The Extended Essay is a unit of independent study under the supervision of a member of staff. Students are required to write a long essay of 8,000 to 10,000 words.
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Stories are everywhere, and the human mind is wired to love them. And one of the jobs of historians is to tell stories - the stories of the past. Historians also have other tasks - evaluating evidence, making responsible arguments, and weighing the ethical issues involved in giving voice to some figures from the past rather than others simply because chance - or the interests of the historical 'winners' - led to one source being preserved, while another was lost, forgotten, or destroyed. This module explores the critical questions and techniques of narrative analysis, considering the problems and pitfalls faced by historians, novelists and dramatists in their effort to bring the past alive. We will explore case studies drawn from history, fiction, and film representing the ancient, medieval, and modern worlds, and the issues we raise will be relevant to students whose interests lie in any period.
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An introduction to the ancient Greek language designed for second/third year students. The course offers an introduction to Ancient Greek for complete beginners. The course proceeds through a set textbook (currently Athenaze book I and, where appropriate, advancing selectively to book II), working chapter by chapter, at time, where appropriate and needed, supplemented by further ad hoc materials. The class will systematically survey aspects of grammar, including declension and conjugation, and syntax, will complete written and oral in class and home-prepared exercises, etc.
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In this module you will further your understanding of Greek grammar and syntax. You will look at Greek prose and/or verse texts, in unadapted original Greek, and learn how to accurately translate passages at sight.
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A module intended to build on Beginner’s Latin or O-level/GCSE, extending the students' knowledge of Latin to the point where they are ready to read substantial texts.
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Teaching & assessment
In your Foundation Year, teaching methods include a mixture of lectures, seminars, workshops, individual tutorials, and supervisory sessions. Outside of the classroom you’ll undertake guided independent reading and study. You will also be assigned a Personal Tutor, who’ll be with you for the duration of your degree, and will have regular scheduled sessions to support learning and the development of study skills. Assessments are varied; quizzes, short written exercises, essays, examinations, poster preparation and presentation, blog/vlogs, short digital films, dissertations and personal development plans. In addition, the Foundation Year offers a full range of skills-based training and the opportunity to take a micro-placement to enhance your employability.
Once you progress onto your full degree course, you’ll follow a modular structure, whereby students take 12 course units at the rate of four whole units per year. The second year project unit and the third year dissertation are compulsory but all other course units are elective, thereby offering great flexibility and choice.
You’ll continue to be taught through a mixture of lectures, seminars and individual tutorials, depending on the subjects studied. Outside classes, you will undertake group projects and wide-ranging but guided independent study, including completing language exercises and reading prescribed and open material. Private study and preparation remain essential parts of every course, and you will have access to many online resources and the university’s comprehensive e-learning facility, Moodle.
In your final year the Classics department provides ongoing support for your dissertation work, which usually includes:
- Lectures and practical sessions on Dissertation Research Methods e.g. planning your topics, carrying out research, using specialist resources, finding information in print and online, and managing your search results and references. These sessions are run in conjunction with the Library Service and are generally also open to second year students.
- Short departmental writing ‘surgeries’, in which academic staff offer general writing support if you experiencing problems and/or those who have specific queries.
Assessment takes place by a combination of ongoing language tests, written assignments for non-linguistic course units and end of year exams. Your final year dissertation will also count towards your degree award.
Entry requirements
A Levels: CCC-CCD
Required subjects:
- We require English and Mathematics GCSE at grade 4/C
T-levels
We accept T-levels for admission to our undergraduate courses, with the following grades regarded as equivalent to our standard A-level requirements:
- AAA* – Distinction (A* on the core and distinction in the occupational specialism)
- AAA – Distinction
- BBB – Merit
- CCC – Pass (C or above on the core)
- DDD – Pass (D or E on the core)
Where a course specifies subject-specific requirements at A-level, T-level applicants are likely to be asked to offer this A-level alongside their T-level studies.
Other UK and Ireland Qualifications
International & EU requirements
English language requirements
All teaching at Royal Holloway (apart from some language courses) is in English. You will therefore need to have good enough written and spoken English to cope with your studies right from the start.
The scores we require
- IELTS: 6.5 overall with 6 in Writing and minimum of 5.5 in each subscore
- Pearson Test of English: 67 with 61 in writing (no other subscore lower than 54)
- Trinity College London Integrated Skills in English (ISE): ISE IV.
- Cambridge English: Advanced (CAE) grade C.
- TOEFL iBT: 88 overall, with Reading 18 Listening 17 Speaking 20 Writing 19
- Duolingo: 120 overall, 115 in Literacy, 115 in Production and no sub-score below 100.
Your future career
Our degree courses not only promote academic achievement but also the means to hone the life-skills necessary to excel, post-graduation.
Studying Classics involves analysing the cultural, social and political context of the ancient world. By choosing to study this intellectually demanding discipline you will develop a broad range of skills which are highly prized by employers, including:
- the ability to communicate views and present arguments clearly and coherently
- the ability to critically digest, analyse and summarise content
- time management and the discipline to meet deadlines
- organisation and research skills
- problem-solving skills and capability
Being able to understand and process complex issues, to critically evaluate resources and construct coherent arguments both verbally and in writing is why many Royal Holloway classicists become employed in law, marketing, publishing, the media, government and finance. Employers like Channel 4, multinational law firm SJ Berwin, The Guildhall (City of London), accountancy firm KPMG, the Natural History Museum, Customs and Immigration, London Advertising, Broadstone Pensions and Investments and the Armed Forces have all recently recruited Royal Holloway alumni from the Department of Classics.
Fees, funding & scholarships
Home (UK) students tuition fee per year*: £5,760 (Foundation Year element only, see below for full details)
Eligible EU and International students tuition fee per year**: £26,800
Foundation year essential costs***: There are no single associated costs greater than £50 per item on this course.
How do I pay for it? Find out more about funding options, including loans, scholarships and bursaries. UK students who have already taken out a tuition fee loan for undergraduate study should check their eligibility for additional funding directly with the relevant awards body.
*The tuition fee for Home (UK) students taking this Integrated Foundation Year course is controlled by Government regulations. The fee for the Foundation Year element of the degree in 2025/26 is £5,760 and is provided here and a guide only. The fee for Home (UK) undergraduates starting in 2026/27 has not yet been announced, but will be advertised here once confirmed.
Please note that once you move into Year 1 of your main degree, you will be charged the standard undergraduate fee for that year. The Government has not yet announced what that fee will be, but for guidance only, in 2025/26 it is £9,535.
**This figure is the fee for EU and international students on this course for the academic year 2026/27.
Royal Holloway reserves the right to increase tuition fees annually for all students. For further information see fees and funding.
*** These estimated costs relate to studying this particular degree at Royal Holloway during the 2026/27 academic year. Costs, such as accommodation, food, books and other learning materials and printing, have not been included.