Music and Sound Design for Film, Television, and Interactive Media

2025
2026

Course options

Key information

Duration: 3 years full time

UCAS code: W350

Institution code: R72

Campus: Egham

Key information

Duration: 4 years full time

UCAS code: W35F

Institution code: R72

Campus: Egham

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The course

Music and Sound Design for Film, Television, and Interactive Media (BA)

BA Music and Sound Design for Film, Television, and Interactive Media at Royal Holloway is a flexible, all-round music degree with a special focus on music and sound for film, TV, games and other media.

Studying across both our music and media arts departments, you’ll deepen your core skills in both areas, whilst gaining expertise in music and sound design. You’ll collaborate and work with the next generation of filmmakers and media creatives, designing soundtracks for new projects just as you would in professional practice. Whilst being taught by our expert scholars, composers and sound designers, you’ll have access to our excellent facilities including our professional-grade composition studios. We currently have four production suites and an iMac suite, and from spring 2024 we will have a recording studio complex including two live rooms and a control room with SSL Origin console.

You will join a music department that is among the very best in the country, ranked top in the UK for research quality (Complete University Guide) and the only music department in the country to hold a prestigious Regius Professorship. Our well connected department means you have the opportunity to make valuable music industry contacts. Music by our staff features on BBC TV and radio, in drama productions at the National Theatre and other leading venues, and in films, commercials and video games.

On this course you will:

Learn to compose and create soundtracks for a variety of media and contexts
Graduate with a portfolio of work to get you started on your career
Gain musical and academic skills to become a creative, versatile and employable practitioner
Study music and sound to understand how it works in film, television, games, and beyond
Learn how to collaborate and work as a composer on media projects

From time to time, we make changes to our courses to improve the student and learning experience. If we make a significant change to your chosen course, we’ll let you know as soon as possible.

Course structure

Core Modules

Year 1

Please note: MU1111: Fundamentals of Music Theory will only be a core module in your first year if you join the course via Intensive Theory entry (see Entry requirements below for further details)

This course aims: 1. to develop basic music-analytical literacy, 2. to introduce basic concepts concerning counterpoint, harmony, melody and form that underpin the analysis of music, 3. to put these concepts into practice in the analysis of pieces from a variety of repertories. The course addresses the contrapuntal, melodic, harmonic and formal elements of tonal music. Weekly lectures, in which students are introduced to analytical concepts and then practise deploying them, through listening, score study and the completion of practical exercises, are supplemented by private study based on Moodle and recommended readings, to consolidate concepts learnt in the lectures and provide further opportunities to practise new skills.
The aim of this course is to develop students' awareness of music theory through practical exercises and musical analysis. Through practical exercises that focus on musical literacy as well as aural awareness, students develop the ability to identify and analyse the musical parameters of metre, rhythm, pitch, harmony, counterpoint and form. In-class exercises may focus on listening, whereas exercises for self-study or small-group work may include written exercises. Tasks set for private study between classes provide a basis for students to continue their own practical training throughout their musical careers.
This module will provide the opportunity to develop skills in working with music technology, write music to a brief and develop skills in. independent creative work. The topics taught will include a selection from: introduction to media, film and game music composition; introduction to non-linear compositional techniques; the basics of digital audio; composing to a brief; interpreting images; and audio engines for games.

Year 2

This module will: develop your knowledge of a range of fundamental techniques of musical composition with particular focus on structure, harmonic control and the manipulation of rhythmic and melodic material provide an opportunity to practise the art of musical composition and to develop skills in creative work. Developing on areas covered in first-year Composition modules, this module will provide a framework in which you will be introduced to a number of techniques from diverse schools of composition in order to encourage you to explore and develop your own creativity. Key works from the past few decades will be studied and used as models or springboards for your own musical invention. You will create a portfolio of technical exercises and a short composition written in response to a given brief.
This module explores ways that electronic media and technology have brought about change in and opened up new possibilities for musical production, consumption, sounds, practices, experience, contexts and meanings. It considers the role of electronic media and technology in preserving and documenting musical culture as well as in changing it, and it examines how developments in electronic media and technology have affected and continue to affect dynamics of power in musical production and consumption across the world. The module explores the effects of electronic media and technology on popular, traditional and classical musics and introduces concepts and techniques for the study of the interaction of music, media and technology. It also encourages a deeper and more critical understanding of music, music making and musical culture through study in both familiar and unfamiliar cultures and contexts. The module will introduce students to a range of ways in which electronic media and technology have affected and transformed musical cultures across the world through their fundamental ability to: record and store musical sound; create new sounds, new ways of combining sounds and new ways of synching sound with other media; turn musical sound into a commodity; separate musical sound from live performance context; amplify music; mass produce music; mass disseminate music; and greatly alter dynamics of power in the production and consumption of music. The module will cover a range of key phenomena and issues in contemporary musical culture that are inextricably linked to electronic media and technology. Exact topics will vary, but may include: popular and mass-mediated music; recorded music; electronic music; the impact of technology on compositional practices; music industries; piracy; film music, video and multimedia; music and the Internet; globalisation; debates on the value of mass mediated music; and questions of power and representation.
This module will explore the practices of the 20th Century Modernist Avant Garde within a digital environment. Whilst there may be some pre-digital analogue elements delivered within the module, the curriculum will focus predominantly on the digital creative outcomes produced whilst working within Logic Pro X. The module will examine the role of sound within abstract film, radio broadcast and gallery installation. Having completed this part of the module, you will have gained both a practical and an entry level theoretical understanding of the creative use of sound within predominantly non-visual media. The module will also practically explore the use of designed sound within an industry focussed, post-production context, including the relationship between the picture editor and the sound designer. The module will examine the technical demands of the bespoke DAW (Digital Audio Workstation) in recording, track laying and mixing in stereo and binaural stereo.

Year 3

This module will examine, through the employment of practical methodologies, the work of significant avant-garde sound/noise practitioners throughout the 20th century analogue and digital eras. It will examine the relationship between significant artworks and the technology of the era. For example, in the acoustic era of music capture, before the electrification of the signal in 1925 that allowed electro-magnetic microphones and soundboard input mixing, the capture of sound was facilitated through a static condensing horn. In order to create a mix balance, the musicians would physically move closer or further away from the horn. We call this kinetic mixing. One of the first exercises will be to recreate this process and then develop the concept digitally, within an installation paradigm, employing a multichannel sound source and a range of Bluetooth speakers, allowing the different sounds to be physically moved within a defined space – 21st Century kinetic mixing.

Optional Modules

There are a number of optional course modules available during your degree studies. The following is a selection of optional course modules that are likely to be available. Please note that although the College will keep changes to a minimum, new modules may be offered or existing modules may be withdrawn, for example, in response to a change in staff. Applicants will be informed if any significant changes need to be made.

Year 1

You must choose 90 credits, including up to 30 credits from Media Arts. Modules offered typically include:

The aim of this course is to develop students' awareness of music theory through practical exercises and musical analysis. Through practical exercises that focus on musical literacy as well as aural awareness, students develop the ability to identify and analyse the musical parameters of metre, rhythm, pitch, harmony, counterpoint and form. In-class exercises may focus on listening, whereas exercises for self-study or small-group work may include written exercises. Tasks set for private study between classes provide a basis for students to continue their own practical training throughout their musical careers.
This course introduces students to some fundamental techniques of music composition. The precise topics taught may change depending on the research interests of the staff responsible for teaching the course, but typically include:

• Soundworlds and scale formations

• The vertical dimension: chords and simultaneities

• The horizontal dimension: melody and voice leading

• Developments in rhythm

• Developments in harmonic vocabulary and tonalities

• Form in contemporary composition

• Acoustic timbre and texture
This course introduces a wide range of repertories within the history of music. It stimulates students to relate features of musical compositions and performances to their wider historical contexts and gives students a fundamental knowledge of specific musical cultures. It provides students with opportunities to develop skills in research and information retrieval and in critical reading of primary and secondary literature, to receive formative feedback on those skills, and to build a foundation for higher-level study. The course will offer students a conceptual map of musical styles, composers and practices by introducing them to a wide chronological range of repertories, from early music to music of the twentieth century. It will emphasise questions of change, interaction and transmission through the study of specific forms and repertories in their historical context. Lectures will be designed around major repertorial moments (e.g. Stravinsky in 1910) or problems (e.g. the post-Beethovenian symphony), to bring together questions of form, style, performing practice and historical context.
This course introduces concepts underlying the historical and critical study of music. It enables students to begin thinking critically about the priorities that underlie historical texts from different intellectual traditions and stimulates them to relate features of musical compositions and performances to wider historical contexts. It provides students with opportunities to develop skills in research and information retrieval and in critical reading of primary and secondary literature, to receive formative feedback on those skills, and to build a foundation for higher-level study. This course introduces students to the different kinds of historical question that we can ask about music, and interrogates some of the terminology and categories frequently used in the secondary literature (e.g. canonisation, reception, tradition, nationalism, exoticism, the work concept). Case-studies are used to illuminate specific topics and problems in the historiography of a wide variety of musics.
This course introduces students to the socio-cultural contexts, functions, philosophies, techniques, and organising principles of a variety of musics of the world; musics from at least three continents will be studied. These musical traditions will be approached from both theoretical and practical perspectives, also giving a variety of opportunities for hands-on experience. Course content will vary from year to year according to staff interests, availability of musicians to provide workshops, and to ensure freshness of approach. A typical curriculum might cover the following regions and theoretical themes:
- World Music - Introduction (culture, contact & concepts)
- South America: Andes to Amazon (exchange)
- Africa: Jaliya and Mbira (the musician)
- Indonesia: Sundanese Gamelan (temporal organisation)
- North India: The Classical Tradition (improvisation)
- Papua New Guinea: The Kaluli (music and ecology)
- Iran: The Persian Classical Tradition (music & religion).
This course introduces students to a range of key debates and issues in contemporary musicology and to a range of key issues concerning music in the contemporary world. It encourages students to think about music’s relation to social and cultural contexts and introduces them to unfamiliar musical styles and repertoires as well as broaden understanding of those closer to home. It hones students’ skills in reading a wide variety of critical and theoretical writing about music. This course will survey some of the key contemporary issues in music that have arisen from the changes of the modern world, as well as contemporary debates in musicology. The twentieth century in particular has seen a transformation of musical cultures across the world, and this course looks at a range of the issues and controversies that have emerged as a result. The study of music has broadened to include many more social, cultural and political. This course will introduce students to truly contemporary ways of studying music, combining approaches and issues traditionally associated with musicology, ethnomusicology and popular music studies, divisions which are becoming increasingly blurred. Lecture topics may include:

• Ideas of ‘authenticity’ in music

• Value judgements about music

• Protection and preservation of music

• Heritage and revivals

• Music and tourism

• New forms of fusion and hybridity

• The idea of ‘world music’.

• Music and identity

• Music and gender

• Music and race

• Music and nationalism

These companion modules (Introduction to Media Histories 1 and Introduction to Media Histories 2) introduce students to media histories encompassing complementary accounts of film, television, video games, computing, the internet, and social media.
In this module you will develop an understanding of the key debates in critical theory. You will look at a range of different methods in studying film, television and digital media, including artistic achievement and critical interpretation, close textual analysis, ideological analysis, national cinema, and psychoanalysis. You will examine the relationship between the intentions of individual film and programme-makers and wider processes. You will consider films and television programmes in close detail, analysing the relationship between how something is achieved and what it means.
This module provides a history of the innovations in digital storytelling that have developed over the last several decades, and teaches you the technical skills to produce your own innovative digital stories. From hypertext novels to contemporary video games, we look at how storytelling has changed since the invention of the internet. Then, we learn the skills needed to produce several forms of digital narratives including text-based games, interactive video, location-based experiences and social media storytelling. Students develop a portfolio of both creative and written work.
This module allows students to apply their critical understanding of screen narratives. They will do this through original creative screenwriting, detailed analysis, and theory. Students have to adapt a story into a 10m screenplay. This could be a short story, an album, or a video game.

Year 2

The encounter between music and theatre goes back to the origins of both music and theatre. The origins of music are intertwined with ritual and play, just as the origins of theatre are accompanied by music and dance, as in the Choruses of classical tragedy. Over the last hundred years, musical theatre has become one of the most popular and successful performing art forms. This is a practical, creative module in which you will learn about musical theatre by creating a short musical theatre performance in groups, for which you will be responsible for the story, the dialogue, the direction, performance, music, lyrics and movement direction. You will engage with existing musical theatre and music theatre practices and be encouraged to craft and experiment, inhabit and challenge existing practices, to work collaboratively, finding music, words and movement together in generating a new piece of musical theatre work.

Year 3

In this module you will carry out independent research providing specialist insights into a topic of your choice from the field of ethnomusicology, film studies, historical musicology, performance studies, or theory and analysis. You will look at digital sources, secondary literature, and archive material on your chosen theme, and critically engage with new thinking in musicology. You will be guided by a supervisor who will advise on the planning, organisation, development and presentation of your dissertation, which will be between 13,000 and 15,000 words in length.
This module develops students' knowledge of advanced compositional techniques with particular focus on structure, harmonic control and the manipulation of rhythmic and melodic material. It provides opportunities to practise the art of musical composition and to develop skills in independent creative work and increases students' awareness, knowledge and understanding of issues related to contemporary composition practice in a variety of contexts. Developing on areas covered in MU2213 Composition Portfolio, the module will provide a framework for you to further explore the possibilities in your own compositional method. You will complete a structured portfolio that will properly demonstrate your increased awareness, knowledge and understanding of contemporary art music and related compositional issues. You will be assisted in acquiring a deeper confidence in experimenting with a range of compositional methods and techniques whilst being encouraged to explore the possibilities of your own compositional voice in the hope that this trend will continue into your professional life. During workshops you will be given the opportunity to have your work rehearsed and recorded by professional musicians. It is hoped that through these workshops you will discover more about the possibilities of instrumentation and the many practical compositional issues facing composers today. You should also seek to develop your own opportunities for the performance of your music in order to develop your confidence and professional activity.

Teaching & assessment

You will take modules from both the Music and Media Arts departments on this degree, but you’ll spend most of your time in Music, where you’ll have a personal tutor and become part of the Music department family. Teaching in the Music department is through a combination of lectures, seminars, tutorials, or group instrumental/vocal lessons - performance modules that include individual instrumental or vocal lessons are not available on this course.

In the first year, you will learn the foundations of composing and understanding music. You’ll gain a broad overview of music to draw from in your creative work. This year doesn’t count towards your final degree result, so you can relax and explore all sorts of new topics.

In the second year, you will develop your skills for composing and designing sound for picture even more, while still having room in your timetable for other subjects from the Music and Media Arts departments.

In the final year, amongst other topics, you will undertake a large collaborative project. You will collaborate as a composer/sound designer on a project with students from the Media Arts department, working with the production team. This is a simulation of real-world professional practice, building your network and giving you experience and preparation for your future careers.

There are a wide variety of assessments and forms of delivery on this degree. Composition modules are assessed by coursework portfolios, but you’ll also perform, write essays, give presentations, and so on, depending on the options you take. Some courses are lecture-based, while others primarily use tutorials, one-to-one sessions, or seminars. On this degree, you’ll spend your time composing, playing music, writing, reading, watching/studying examples and experimenting with new approaches to music and sound on screen.

You’ll join a vibrant School of Performing and Digital Arts. We have a huge number of concerts and events, giving you opportunities to perform, compose and listen to music of any style, both as part of the degree and beyond.

Entry requirements

A Levels: ABB-BBC

Required subjects:

A-level Music at grade A, or Grade 7 Music Theory at pass
Applicants without A-level grade A in Music or pass in Grade 7 Music Theory may be eligible for the Intensive Theory entry. This requires Music GCSE grade A/7 or equivalent, plus performance at Grade 7 level. In term 1 you will be required to take Fundamentals of Music Theory, an intensive music literacy course.
If you are studying two A-level subjects, you may still be eligible for entry to the Music BMus (single honours), if you are able to provide evidence of your ongoing commitment to music. For this pathway, the standard offer is A, B (with an A in music). We require candidates to be performing to Grade 8 ABRSM standard, to have studied music theory to Grade 5 ABRSM level, and have a substantial record of musical performance or other musical achievements, which they should detail in their Personal Statement.
Five GCSEs graded A*-C or 9-4 including English and Maths.

In some cases, a theory test may need to be completed and performance sample provided upon request in order to meet specific Music requirements

Other UK and Ireland Qualifications

International & EU requirements

English language requirements

All teaching at Royal Holloway is in English. You will therefore need to have good enough written and spoken English to cope with your studies right from the start.

The scores we require

IELTS: 6.5 overall. Writing 7.0. No other subscore lower than 5.5.
Pearson Test of English: 61 overall. Writing 69. No other subscore lower than 51.
Trinity College London Integrated Skills in English (ISE): ISE III.
TOEFL iBT: 88 overall, with Reading 18 Listening 17 Speaking 20 Writing 26.

Country-specific requirements

For more information about country-specific entry requirements for your country please visit here.

Undergraduate preparation programme

For international students who do not meet the direct entry requirements, for this undergraduate degree, the Royal Holloway International Study Centre offers an International Foundation Year programme designed to develop your academic and English language skills.

Upon successful completion, you can progress to this degree at Royal Holloway, University of London.

Your future career

Choosing to study Music at Royal Holloway will not only equip you with specific skills in performance, composition and production, but also a wide range of skills valued by employers such as communication, teamwork, time management, commercial awareness and critical thinking. You will also have the opportunity to gain valuable industry contacts and knowledge of music networks.

Our recent graduates have very successfully entered a wide range of careers including roles as musicians, composers and performing arts teachers, but also technicians, publishers, managers, lawyers and policy makers. Many graduates also go on to advanced study in a variety of fields.

Fees, funding & scholarships

Home (UK) students tuition fee per year*: £9,535

EU and international students tuition fee per year**: £27,500

Other essential costs***: There are no single associated costs greater than £50 per item on this course.

How do I pay for it? Find out more about funding options, including loans, scholarships and bursaries . UK students who have already taken out a tuition fee loan for undergraduate study should check their eligibility for additional funding directly with the relevant awards body.

*The tuition fee for Home (UK) undergraduates is controlled by Government regulations. This figure is the fee for the academic year 2025/26 and is shown as a guide. The fee for the academic year 2026/27 has not yet been announced.

**This figure is the fee for EU and international students starting a degree in the academic year 2025/26 and is shown as a guide. The fee for the academic year 2026/27 has not yet been confirmed.

Royal Holloway reserves the right to increase tuition fees annually for all students. For further information see fees and funding and the terms and conditions.

*** These estimated costs relate to studying this particular degree at Royal Holloway during the 2025/26 academic year and are included as a guide. Costs, such as accommodation, food, books and other learning materials and printing, have not been included.