Discover how our Classics research has made an impact.
The Department runs two specialist centres of research activity: the Centre for Oratory and Rhetoric and the Centre for the Reception of Greece and Rome.
I research on the relationship between the individual and social power in Roman antiquity. My research ranges from Egypt in the Roman and Byzantine period through early Roman imperial history, political and social ideas in the Roman imperial period, economic and settlement history and the history of the city. In the context of the last, I am also interested in the reception of ideas of the Classical city, politics, and the community in modern urbanism.
My research focuses particularly on the idea of the sublime and its role in the literature of early imperial Rome. The sensation of the sublime is an experience of almost overwhelming awe in which delight and pain are balanced on a knife-edge. In my research, I examine ways in which Roman authors including Virgil, Lucan and Tacitus use the sublime to express the tensions and instabilities they perceive in imperial society. My work has explored expressions of sublimity found in architecture, technology and the natural world, from monuments to ruins, siege engines to earthquakes and volcanoes. At present, I am revising my doctoral thesis for publication as a monograph and beginning to think about a new research project. This next project will investigate the depiction of the Roman emperor as a sublime being in Latin literature and beyond.
My research focuses on the intersections between Latin literature, ancient philosophy and gender studies; my ground-breaking book on Seneca the younger established the centrality of the family to Stoic theory. I also have a strong interest in classical reception. My current book project on the use of classical monsters in popular culture will be published by Bloomsbury Academic in autumn 2019.
As a Teaching Focused member of staff from 2016 my research now focuses on education and classical culture, such as education in the Greco-Roman world, rhetoric, declamation etc., as well as the teaching of classical languages, literature, and culture in different time periods and cultures. My previous research has centred on gender and identity in the Greco-Roman world, Greek drama, and Greek literature of the early Roman empire. I am currently finishing an undergraduate textbook on how to approach the study of gender in Greco-Roman culture.
My research concerns aspects of philology, philosophy, poetics and reception. Recent published/forthcoming work discusses Homer, Virgil, fan fiction, Alice Oswald, Jacques Rancière, Paul Ricoeur, sculpture, time, the ruin, etc..
Underlying my work is an attempt to understand states of exceptionality and fragmentarity within linguistic, poetic, historical and ethical systems in texts and genres.
I have just completed a series of articles which attempt to redefine the conception of diction and tradition in epic in relation to individual poetic invention. I am finishing a book - long in the making - on the relationship between the (antithetical) generic traditions of epic and novel in antiquity and their relation to the conceptualization of historical time. Elsewhere I currently work on collaborative projects with colleagues in art history and maintain an interest in Hebrew studies.
I am a Roman archaeologist who specializes in the Roman Middle East and Roman Britain. I have wide-ranging interests that include ancient technologies, memory, food, sensory understandings of the past and religion. Drawing on my work on cultural memory and the social roles of technologies, my current focus is on the post-conflict futures of built heritage in the Middle East, in which I advocate holistic, egalitarian responses that embrace social and cultural factors, alongside modern technologies. I am exploring this in projects, such as ‘Remembering the Romans in the Middle East and North Africa’ (2016), ‘Postcard to Palmyra’ (2016) and ‘Rematerialising Mosul Museum’ (2018), which aim to include a diverse range of people and their voices in creating new ways of thinking about, and responding to, Middle Eastern cultural heritage.
My research interests fall in the areas of Greek social, political and legal history, oratory and rhetoric, and historiography. I am also interested in epigraphy, papyrology, and textual criticism. I welcome applications from prospective research students wishing to work in one of these areas.
Most of my research on Greek and Latin literature and its reception has centred on cognitive approaches to literature and its history, with particular foci in narrative and comedy, where I've been drawing on recent work in cognitive science to help understand aspects of the poetics of ancient drama, fiction, and humour. My current book projects are a history of the fantastic in Greek and Latin literature, drawing on models and debates from science fiction scholarship, and a large-scale overview of ancient Greece in modern historical fiction. I've also written recently on the narratology of dreaming, on the involvement of classical scholars in paranormal research, on the history of English translations of Lucretius, and on the mythography of heroic returns.
The focus of my research is on the ancient built environment and especially on architectural design in the Greek world. Three-dimensional documentation in the field and use of statistics and computer simulations in archaeological research are also important aspects of my on-going projects.
My Olympias Trireme reconstruction has become the most frequently referenced representation of an ancient Greek warship and raised awareness of ancient Mediterranean seafaring worldwide through its appearances on television, in textbooks and academic works. The Trireme has provided experimental data and acted as a typical example of a project in experimental archaeology as well as serving to popularise Greece’s maritime heritage and improve the understanding of ancient shipping.
As a Roman archaeologist specializing in the analysis of archaeobotanical material, my research focuses on Roman diet, ancient nutrition, the formation and evolution of food identities, and the economies of production. I use literary, archaeological, and archaeobotanical evidence to explore the way cultural tensions within Roman society were expressed, embedded, and resolved through the prevailing food culture. I am currently working on a forthcoming monograph, entitled Food and Diet in Republican and Imperial Roman Italy, to be published with Bloomsbury. Additionally, I am the archaeobotanist for excavations in Italy and Turkey and I have previously excavated in the UK, Jordan and Tunisia. I welcome applications from prospective research students wishing to work on any aspect of ancient foodways.
My main research areas are ancient Greek history and Classical oratory and its legacy in the modern world. In the field of ancient history, I am especially interested in Athenian law and social history, the administration of justice in the cities in the Hellenistic Greek world, and democracy in theory and practice in ancient Greece and in the modern world. Together with my colleague Dr Christos Kremmydas, I run our Centre for Oratory and Rhetoric which has organised several events, including conferences entitled 'From Antiphon to Autocue: speechwriting ancient and modern', 'From Thucydides to Twitter: towards a history of the "soundbite"' and recently a series of workshops focussing on the opening prosecution speeches delivered before the International Military Tribunal in Nürnberg.
I work at the intersection of Classics with modern critical thought and also have a sustained engagement with the politics of the reception of Classics in its European, and especially, Modern Greek literature and context. I have written monographs on the feminine voice and French feminist thought in Ovid’s Heroides, and on literary representations of Roman Imperial subjectivity from Nero to Hadrian. Gender relations, the artist, home and belonging underpin my book on the politics of love in Augustan period and a co-edited volume on power, desire, and images of the Muses in Greco-Roman literature. Psychogeography and human and cultural space inform a co-edited a volume on The Production of Space in Latin Literature and a new project on Ovid in the 21st century on nomadic daughters and crossing boundaries in Ovid’s Metamorphoses, expanding published work on Ovid and Bracha Ettinger’s blended identities.